Phil first became interested in theatre when he worked at the Arts Theatre, Cambridge, back in the 90s. Since then, he has gained experience in all facets of the business: working front of house, stage door, backstage and in marketing. One of his favourite memories is working with Pete Postlethwaite during his wonderful show Scaramouche Jones. Phil is also accomplished in the education sector, where his experience includes working with children who have special needs or disabilities, at institutions such as the Richmond Theatre and the University of Cambridge. His theatrical production credits include the musical Chu Chin Chow at The Finborough Theatre and A Skull in Connemara at the White Bear Theatre, and his producing for Bunbanter earned him a place as one of five finalists for a Channel 4 Talent Award in 2008. Although Philip turns his hand to everything in the theatre, you are most likely to find him in a corner of the theatre bar, drinking a Guinness and reading scripts.
For more information on Phil the producer:
Ali was brought up in deepest Suffolk, where her love of all things folk was born. She is an impulsive, dedicated actress and director, whose travels have seen her move all over the country (even to Ireland in the name of a bet!). She feels a great sense of connection with her Celtic roots and certainly "stands sure" on what she believes, as her family motto suggests. Although she might not like to broadcast it, Ali is extremely experienced, with over 15 years in the theatre and more than a decade of teaching under her belt. She describes herself as a little elfin folkie with a rather loud extroverted streak; when she is not in a rehearsal room, the studio or in the Bunbanter office, you'll find her teaching private LAMDA lessons and the students of the Bunbury Banter Saturday School. Ali has recently been exercising her directing muscle assisting Alex Sutton and Samuel Miller, and her production of Philip Ridley's The Fastest Clock in the Universe was staged at the BAC in June 2010.
For all those who are confused, Glennon Anderson is her stage name. To read an interview with Ali:
Andy has been involved in music and audio since his school days, gigging all around the country and recording in studios. A passion to be on the other side of the mixing desk drove him to Leeds Metropolitan University at the age of 22. Now working full-time as a freelance sound designer and music producer, he has created audio for TV, radio, internet and film. Andy is also a signed music producer with a separate publishing deal, creating dance remixes for a number of clients. With both club and commercial releases under his belt, he hopes to take the music industry by storm... or just make some money. Andy now also runs a record label and is a true star!
A native of Lincolnshire, Nathan began writing aged twelve and has since written for the Nottingham Playhouse, London's Theatre 503 and Croydon's Savvy Theatre, as well as a short film for ITV television and a skit for digital channel E4. He first became involved with Bunbury Banter in 2008, penning for them two short audio plays and returned in 2011 to help devise and co-write a radio drama pilot for the BBC. As writer-in-residence at Blackfriars Theatre & Arts Centre he devised Boston Stump Radio's ‘Archers’ style radio soap opera ‘The Mayflower’ and headed Other Voices Theatre Company for five years. After studying at the Nottingham Playhouse under their Writing Partnership Scheme, his one act play ‘Chill Out Room’ was crowned winner of the East Midlands Under 25’s Writers Challenge. He is looking forward to his continuing collaboration with Bunbury Banter and hopes to help make the dreams of aspiring young actors, performers and writers come true.
To read more about Nathan - http://www.linkedin.com/pub/nathan-l-w-hughes/1b/690/b2b
John has acted as Company Secretary since 2007, and we are continually thankful for all his help.
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